# Éclats d'amour – carte blanche à Laurent Pernot

An exhibition at the Musée de La Poste in Montparnasse, in which artist Laurent Pernot draws on the museum's collections, notably old letters, to explore love in wartime. It brings out fragments of intimate words exchanged across conflicts, from the Siege of Paris to the present.

- Type: Museum
- When: on view June 6, 2026 – February 15, 2027
- Where: Musée de La Poste (Musée postal), 34 boulevard de Vaugirard, 75015 Paris, Montparnasse
- Artists: Laurent Pernot
- Part of: [Paris Art Week 2026](https://artweekguide.com/weeks/paris-2026)
- Event's own page: https://www.museepostal.fr/fr/expositions-et-evenements/eclats-d-amour-carte-blanche-laurent-pernot
- On Art Week Guide: https://artweekguide.com/events/eclats-d-amour-carte-blanche-a-laurent-pernot

## From the organiser

Drawing on the museum's collections, notably old letters, artist Laurent Pernot creates an exhibition on 'love in wartime', bringing out fragments of intimate words exchanged across conflicts from the Siege of Paris to the present.

## Also on Saturday 6 June

- **Until Feb 8, 2027** · [Seulgi Lee: DAL DARI, La Lune et les Jambes](https://artweekguide.com/events/seulgi-lee-dal-dari-la-lune-et-les-jambes) — Museum at Musée national des arts asiatiques – Guimet, Trocadéro. Seulgi Lee has made a monumental installation that runs across the museum's façade and through its interior. It draws on a Korean belief that crossing a bridge under the year's first full moon strengthens the legs, and marks 140 years of diplomatic relations between France and Korea.
- **Until Nov 14** · [Robert Burley: Grands Lacs – L'horizon commun des mers intérieures](https://artweekguide.com/events/robert-burley-grands-lacs-l-horizon-commun-des-mers-interieures) — Museum at Centre culturel canadien, Champs-Élysées / Matignon. An exhibition at the Centre culturel canadien of Robert Burley's photographs of the Great Lakes basin, which spans the Canada–US border. The work looks at the lakes as a source of drinking water and as a place of trade, work, leisure, exploitation and vulnerability. Part of the bicentenary of photography.